Biography

The Backwash of War

Ellen N. La Motte

Folio

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24,555 words

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This war has been described as "Months of boredom, punctuated by moments of intense fright." The writer of these sketches has experienced many "months of boredom," in a French military field hospital, situated ten kilometres behind the lines, in Belgium. During these months, the lines have not moved, either forward or backward, but have remained dead-locked, in one position. Undoubtedly, up and down the long-reaching kilometres of "Front" there has been action, and "moments of intense fright" have produced glorious deeds of valour, courage, devotion, and nobility. But when there is little or no action, there is a stagnant place, and in a stagnant place there is much ugliness. Much ugliness is churned up in the wake of mighty, moving forces. We are witnessing a phase in the evolution of humanity, a phase called War--and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly. There are many little lives foaming up in the backwash. They are loosened by the sweeping current, and float to the surface, detached from their environment, and one glimpses them, weak, hideous, repellent. After the war, they will consolidate again into the condition called Peace.

After this war, there will be many other wars, and in the intervals there will be peace. So it will alternate for many generations. By examining the things cast up in the backwash, we can gauge the progress of humanity. When clean little lives, when clean little souls boil up in the backwash, they will consolidate, after the final war, into a peace that shall endure. But not till then.

E. N. L. M.

CONTENTS

PAGE

HEROES 3

LA PATRIE RECONNAISSANTE 17

THE HOLE IN THE HEDGE 35

ALONE 49

A BELGIAN CIVILIAN 63

THE INTERVAL 77

WOMEN AND WIVES 95

POUR LA PATRIE 115

LOCOMOTOR ATAXIA 129

A SURGICAL TRIUMPH 143

AT THE TELEPHONE 159

A CITATION 167

AN INCIDENT 181

HEROES

When he could stand it no longer, he fired a revolver up through the roof of his mouth, but he made a mess of it. The ball tore out his left eye, and then lodged somewhere under his skull, so they bundled him into an ambulance and carried him, cursing and screaming, to the nearest field hospital. The journey was made in double-quick time, over rough Belgian roads. To save his life, he must reach the hospital without delay, and if he was bounced to death jolting along at breakneck speed, it did not matter. That was understood. He was a deserter, and discipline must be maintained. Since he had failed in the job, his life must be saved, he must be nursed back to health, until he was well enough to be stood up against a wall and shot. This is War. Things like this also happen in peace time, but not so obviously.

At the hospital, he behaved abominably. The ambulance men declared that he had tried to throw himself out of the back of the ambulance, that he had yelled and hurled himself about, and spat blood all over the floor and blankets--in short, he was very disagreeable. Upon the operating table, he was no more reasonable. He shouted and screamed and threw himself from side to side, and it took a dozen leather straps and four or five orderlies to hold him in position, so that the surgeon could examine him. During this commotion, his left eye rolled about loosely upon his cheek, and from his bleeding mouth he shot great clots of stagnant blood, caring not where they fell. One fell upon the immaculate white uniform of the Directrice, and stained her, from breast to shoes. It was disgusting. They told him it was La Directrice, and that he must be careful. For an instant he stopped his raving, and regarded her fixedly with his remaining eye, then took aim afresh, and again covered her with his coward blood. Truly it was disgusting.

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About this free edition

The Backwash of War by Ellen N. La Motte (1873-1961) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.

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