Ten Years' Exile

The production which is now submitted to the reader, is not a complete work, and ought not to be criticized as such. It consists of Fragments of her Memoirs, which my mother had intended to complete at her leisure, and which would have probably undergone alterations, of the nature of which I am ignorant, if a longer life had been allowed her to revise and finish them.

This reflection was sufficient to make me examine most scrupulously if I was authorized to give them publicity. The fear of any sort of responsibility cannot be present to the mind, when our dearest affections are in question; but the heart is agitated by a painful anxiety when we are left to guess at those wishes, the declaration of which would have been a sacred and invariable rule. Nevertheless, after having seriously reflected on what duty required of me, I am satisfied that I have fulfilled my mother's intentions, in engaging to leave out in this edition of her works*, no production susceptible of being printed. My fidelity in adhering to this engagement gives me the right of disavowing beforehand, all which at any future period, persons might pretend to add to this collection, which, I repeat, contains every thing, of which my mother had not formally forbid the publication.

(* Les Oeuvres completes de Madame la Baronne de Stael, publiees par son Fils. Precedees d'une notice sur le caractere et les ecrits de Madame de Stael, par Madame Necker de Saussure. Paris, 17 vols. 8vo. and 17 vols. in 12mo.)

The title of TEN YEARS' EXILE, is that of which the authoress herself made choice; I have deemed it proper to retain it, although the work, being unfinished, comprises only a period of seven years. The narrative begins in 1800, two years previous to my mother's first exile, and stops at 1804, after the death of M. Necker. It recommences in 1810, and breaks off abruptly at her arrival in Sweden, in the autumn of 1812. Between the first and second part of these Memoirs there is therefore an interval of nearly six years. An explanation of this will be found in a faithful statement of the manner in which they were composed.

I will not anticipate my mother's narrative of the persecution to which she was subjected during the imperial government: that persecution, equally mean and cruel, forms the subject of the present publication, the interest of which I should only weaken. It will be sufficient for me to remind the reader, that after having exiled her from Paris, and subsequently sent her out of France, after having suppressed her work on Germany with the most arbitrary caprice, and made it impossible for her to publish anything, even on subjects wholly unconnected with politics; that government went so far as to make her almost a prisoner in her own residence, to forbid her all kind of travelling, and to deprive her of the pleasures of society and the consolations of friendship. It was while she was in this situation that my mother began her Memoirs, and one may readily conceive what must have been at that time the disposition of her mind.

During the composition of the work, the hope of one day giving it to the world scarcely presented itself in the most distant futurity. Europe was still bent to that degree under the yoke of Napoleon, that no independent voice could make itself be heard: on the Continent the press was completely chained, and the most rigorous measures excluded every work printed in England. My mother thought less, therefore, of composing a book, than of preserving the traces of her recollections and ideas. Along with the narrative of circumstances personal to herself, she incorporated with it various reflections which were suggested to her, from the beginning of Bonaparte's power, by the state of France, and the progress of events. But if the printing such a work would at that time have been an act of unheard of temerity, the mere act of writing it required a great deal of both courage and prudence, particularly in the position in which she was placed. My mother had every reason to believe that all her movements were narrowly watched by the police: the prefect who had replaced M. de Barante at Geneva, pretended to be acquainted with every thing that passed in her house, and the least pretence would have been sufficient to induce them to possess themselves of her papers. She was obliged therefore, to take the greatest precautions. Scarcely had she written a few pages, when she made one of her most intimate friends transcribe them, taking care to substitute for the proper names those of persons taken from the history of the English Revolution. Under this disguise she carried off her manuscript, when in 1812 she determined to withdraw herself by flight from the rigors of a constantly increasing persecution.