Sketches from Concord and Appledore
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A volume of reminiscences is commonly the last book that an author publishes, if indeed he does not leave the task to his literary administrator. There are not wanting, however, instances to the contrary; and in the present case my object is more especially to attract public attention to the lives and works of two distinguished men, one of whom has hitherto been little appreciated, and the other, as it seems to me, greatly misunderstood. My position in regard to David A. Wasson has already been challenged, but I have faith that it will endure the test of time. If these pages shall also succeed in restoring to Wendell Phillips a portion of the fame which he lost by the wayward course of his declining years, they will not have been written in vain. The other characters that I have brought upon this stage are such as both the writer and the public have long taken an interest in. To the few living personages who have been introduced, I would apologize, and excuse myself on the ground that the picture would be imperfect without them.
SKETCHES FROM CONCORD AND APPLEDORE
CONCORD THIRTY YEARS AGO.
To one looking westward from Boston State House there appears a line of rugged, precipitous hills extending across the country from southwest to northeast. Having ascended these heights, we perceive beyond them an irregular line of pale blue mountains, of which Wachusett is the most southerly peak, and which is in fact a portion of the White Mountain range extending through New Hampshire and into the northern part of Maine. The watershed between these two forms the valley of the Concord and Merrimac Rivers, which is the first military line of defence in New England west of the sea-coast. It is for this reason that the first struggle for American independence took place on the banks of the Concord River, and not elsewhere; a fact that might have been predicted, though not of course with certainty, when Boston was first settled.
One would like to know how this rural community with martial destiny before it happened to obtain the name of Concord. Did the Rev. Peter Bulkley, descendant of the Plantagenets, who first organized society in that valley, did he come there for peace and repose after a religious controversy in Boston? No doubt the sloping hillsides and broad sunny plain with the sluggish river winding through it looked very restful to him, after the rugged country through which he had passed; but we fear that he found discord and contention already before him, as many have who came there since for a like purpose. Was there a strange fatality in the name, so that Patrick Henry might say with added force, "Gentlemen may cry peace, peace, but there is no peace"? Is it true that peace and war are reciprocal like night and day,--one a rest and preparation for the other, and at the same time its natural consequence? Certain it is that no individual life is interesting or valuable in which there has not been a severe struggle; and periods of warfare have often proved to be powerful stimulants for human energy and intellect. In one respect, however, the Rev. Peter Bulkley was fully justified, for Concord has become more famous in the arts of peace than if a Marengo or Gravelotte had been fought there. It has a place in the history of literature, and its name is pleasant either to speak or think of.
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Sketches from Concord and Appledore by Frank Preston Stearns (1846-1917) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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