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The opening

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"Chere amie, gardez aussi sa religion, et qu'elle vous conduise, ferme et courageuse, au milieu des cahots de la vie, jusq'au paradis des arts."

FOREWORD

I have been often asked whether I put together the recollections of my life from notes jotted down from day to day. To tell the truth I did, and this is how I began the habit of doing so regularly.

My mother--a model wife and mother, who taught me the difference between right and wrong--said to me on my tenth birthday:

"Here is a diary." (It was one of those long-shaped diaries which one found in those days at the little Bon Marche, not the immense enterprise we know now.) "And," she added, "every night before you go to bed, you must write down on the pages of this memento what you have seen, said, or done during the day. If you have said or done anything which you realize is wrong, you must confess it in writing in these pages. Perhaps it will make you hesitate to do wrong during the day."

How characteristic of an unusual woman, a woman of upright mind and honest heart this idea was! By placing the matter of conscience among the first of her son's duties, she made Conscience the very basis of her methods of teaching.

Once when I was alone, in search of some distraction I amused myself by foraging in the cupboards where I found some squares of chocolate. I broke off a square and munched it. I have said somewhere that I am greedy. I don't deny it. Here's another proof.

When evening came and I had to write the account of my day, I admit that I hesitated a moment about mentioning that delicious square of chocolate. But my conscience put to the test in this way conquered, and I bravely recorded my dereliction in the diary.

The thought that my mother would read about my misdeed made me rather shamefaced. She came in at that very moment and saw my confusion; but directly she knew the cause she clasped me in her arms and said:

"You have acted like an honest man and I forgive you. All the same that is no reason why you should ever again eat chocolate on the sly!"

Later on, when I munched other and better chocolate, I always obtained permission.

Thus it came about that from day to day I have always made notes of my recollections be they good or bad, gay or sad, happy or not, and kept them so that I might have them constantly in mind.

CONTENTS

CHAPTER PAGE

FOREWORD vii

I MY ADMISSION TO THE CONSERVATOIRE 1

II YOUTHFUL YEARS 11

III THE GRAND PRIX DE ROME 20

IV THE VILLA MEDICI 29

V THE VILLA MEDICI (CONTINUED) 37

VI THE VILLA MEDICI (CONTINUED) 43

VII MY RETURN TO PARIS 53

VIII MY DEBUT AT THE THEATER 63

IX THE DAYS AFTER THE WAR 74

X JOY AND SORROW 82

XI MY DEBUT AT THE OPERA 93

XII THE THEATERS IN ITALY 103

XIII THE CONSERVATOIRE AND THE INSTITUTE 114

XIV A FIRST PERFORMANCE AT BRUSSELS 123

XV THE ABBE PREVOST AT THE OPERA-COMIQUE 136

XVI FIVE COLLABORATORS 148

XVII A JOURNEY TO GERMANY 161

XVIII A STAR 173

XIX A NEW LIFE 186

XX MILAN--LONDON--BAYREUTH 199

XXI A VISIT TO VERDI--FAREWELL TO AMBROISE THOMAS 208

XXII WORK! ALWAYS WORK! 217

XXIII IN THE MIDST OF THE MIDDLE AGES 231

XXIV FROM Cherubin TO Therese 242

XXV SPEAKING OF 1793 254

XXVI FROM Ariane TO Don Quichotte 267

XXVII A SOIREE 278

XXVIII DEAR EMOTIONS 288

XXIX THOUGHTS AFTER DEATH 302

ILLUSTRATIONS

The Master, Jules Massenet Frontispiece

sPAGE

Massenet at Egreville 44

One of the last portraits of Massenet 68

Mme. Pauline Viardot 84

Titta Ruffo, Caruso and Chaliapine 110

The Forum from the First Act of Roma (See page 300) 154

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About this free edition

My Recollections by Jules Massenet (1842-1912) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.

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