A Hilltop on the Marne
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Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 11011-h.htm or 11011-h.zip: (http://www.ibiblio.org/gutenberg/1/1/0/1/11011/11011-h/11011-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/0/1/11011/11011-h.zip)
A HILLTOP ON THE MARNE
By Mildred Aldrich
Being Letters Written June 3-September 8, 1914
Note To Tenth Impression
The author wishes to apologize for the constant use of the word English in speaking of the British Expedition to France. At the beginning of the war this was a colloquial error into which we all fell over here, even the French press. Everything in khaki was spoken of as "English," even though we knew perfectly well that Scotch, Irish, and Welsh were equally well represented in the ranks, and the colors they followed were almost universally spoken of as the "English flag." These letters were written in the days before the attention of the French press was called to this error of speech, which accounts for the mistake's persisting in the book.
La Creste, Huiry,
France, February, 1916.
To My Grandmother Judith Trask Baker That Staunch New Englander And Pioneer Universalist To The Memory Of Whose Courage And Example I Owe A Debt Of Eternal Gratitude
A HILLTOP ON THE MARNE
June 3, 1914
Well, the deed is done. I have not wanted to talk with you much about it until I was here. I know all your objections. You remember that you did not spare me when, a year ago, I told you that this was my plan. I realize that you--more active, younger, more interested in life, less burdened with your past--feel that it is cowardly on my part to seek a quiet refuge and settle myself into it, to turn my face peacefully to the exit, feeling that the end is the most interesting event ahead of me--the one truly interesting experience left to me in this incarnation.
I am not proposing to ask you to see it from my point of view. You cannot, no matter how willing you are to try. No two people ever see life from the same angle. There is a law which decrees that two objects may not occupy the same place at the same time--result: two people cannot see things from the same point of view, and the slightest difference in angle changes the thing seen.
I did not decide to come away into a little corner in the country, in this land in which I was not born, without looking at the move from all angles. Be sure that I know what I am doing, and I have found the place where I can do it. Some time you will see the new home, I hope, and then you will understand. I have lived more than sixty years. I have lived a fairly active life, and it has been, with all its hardships--and they have been many--interesting. But I have had enough of the city--even of Paris, the most beautiful city in the world. Nothing can take any of that away from me. It is treasured up in my memory. I am even prepared to own that there was a sort of arrogance in my persistence in choosing for so many years the most seductive city in the world, and saying, "Let others live where they will--here I propose to stay." I lived there until I seemed to take it for my own--to know it on the surface and under it, and over it, and around it; until I had a sort of morbid jealousy when I found any one who knew it half as well as I did, or presumed to love it half as much, and dared to say so. You will please note that I have not gone far from it.
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A Hilltop on the Marne by Mildred Aldrich (1853-1928) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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