
There Was an Old Woman—
first published 1958 · free to read
length
4,779 words
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~8 min
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3 days
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The opening
the first pages of There Was an Old Woman—, free
Since I was raised from earliest infancy to undertake the historian's calling, and since it is now certain that I shall never claim that profession as my own, it seems fitting that I perform my first and last act as an historian.
I shall write the history of that strange and unique woman, the mother of my thirty brothers and myself, Miss Donna Mitchell.
She was a person of extraordinary strength and vision, our mother. I remember her vividly, seeing her with all her sons gathered 'round her in our secluded Wisconsin farmhouse on the first night of summer, after we had returned to her from every part of the country for our summer's vacation. One-and-thirty strapping sons, each one of us six feet one inch tall, with a shock of unruly yellow hair and keen, clear blue eyes, each one of us healthy, strong, well-nourished, each one of us twenty-one years and fourteen days old, one-and-thirty identical brothers.
Oh, there were differences between us, but only we and she could perceive them. To outsiders, we were identical; which was why, to outsiders, we took care never to appear together in groups. We ourselves knew the differences, for we had lived with them so long.
I knew my brother Leonard's cheekmole--the right cheek it was, setting him off from Jonas, whose left cheek was marked with a flyspeck. I knew the faint tilt of Peter's chin, the slight oversharpness of Dewey's nose, the florid tint of Donald's skin, I recognized Paul by his pendulous earlobes, Charles by his squint, Noel by the puckering of his lowerlip. David had a blue-stubbled face, Mark flaring nostrils, Claude thick brows.
Yes, there were differences. We rarely confused one with another. It was second nature for me to distinguish Edward from Albert, George from Philip, Frederick from Stephen. And Mother never confused us.
She was a regal woman, nearly six feet in height, who even in middle age had retained straightness of posture and majesty of bearing. Her eyes, like ours, were blue; her hair, she told us, had once been golden like ours. Her voice was a deep, mellow contralto; rich, firm, commanding, the voice of a strong woman. She had been Professor of Biochemistry at some Eastern university (she never told us which one, hating its name so) and we all knew by heart the story of her bitter life and of our own strange birth.
* * * * *
"I had a theory," she would say. "It wasn't an orthodox theory, and it made people angry to think about it, so of course they threw me out. But I didn't care. In many ways that was the most fortunate day of my life."
"Tell us about it, Mother," Philip would invariably ask. He was destined to be a playwright; he enjoyed the repetition of the story whenever we were together.
She said:
"I had a theory. I believed that environment controlled personality, that given the same set of healthy genes any number of different adults could be shaped from the raw material. I had a plan for testing it--but when I told them, they discharged me. Luckily I had married a wealthy if superficial-minded executive, who had suffered a fatal coronary attack the year before. I was independently wealthy, thanks to him, and free to pursue independent research, thanks to my University discharge. So I came to Wisconsin and began my great project."
We knew the rest of the story by heart, as a sort of litany.
We knew how she had bought a huge, rambling farm in the flat green country of central Wisconsin, a farm far from prying eyes. Then, how on a hot summer afternoon she had gone forth to the farmland nearby, and found a fieldhand, tall and brawny, and to his great surprise seduced him in the field where he worked.
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There Was an Old Woman— by Robert Silverberg is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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