The Twickenham Peerage
Folio
The Twickenham Peerage
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95,791 words
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~8 min
finished in
51 days
full read
6h 39m
At Folio's default of ten pages a day, you finish The Twickenham Peerage in about 51 days — roughly 8 minutes of reading each morning.
The opening
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Edith's words had been in my thoughts ever since she had uttered them. All night; all the morning; now that in the afternoon I had come out to take the air. I was strolling from the club to George Douglas's rooms in Ashley Gardens. More for the sake of the exercise than in the desire of seeing him. As I was passing the Abbey I glanced at the Aquarium on my right. My eye was caught by the words on a board which ran right across the front of the building, 'At No Place In The World Can So Many Sights Be Seen.' I hesitated. It was years since I had been in the place. One might as well spend half an hour beneath its roof as with George Douglas. I crossed the road and entered.
The first thing which struck me was the general grimness of everything. A winter garden it was called. Anything less garden-like one could hardly fancy. Coming from the clear sunshine of the autumn afternoon, the effect was curious. There was a larger audience than I had expected. The people were gathered, for the most part, round the central stage, on which a performance was taking place. Three girls in tights were displaying themselves on a trapeze. A moment's glance was enough. It was the sort of thing one has seen a thousand times. I passed on.
There were numerous side shows. There was a Harem; a Giant Lady; a Miraculous Dwarf; a Working Gold Mine; a Palace of Mirrors; the old familiar things. On the extreme left a huge placard was displayed:
THE MARVELLOUS SLEEPING MAN.
THIS IS THE TWENTY-EIGHTH DAY OF MONTAGU BABBACOMBE'S THIRTY-DAYS' SLEEP, WITHOUT EATING OR DRINKING.
COME AND SEE THE MOST WONDERFUL SIGHT IN THE WORLD.
I am not consciously attracted by such spectacles, even granting their genuineness--which is to grant a good deal. But, at the moment, I had nothing to do, and the idea of a man being able to forget, at will, for thirty consecutive days, the worries and troubles of life appealed to me with singular force. I went to see the sleeping man.
In the centre of a good-sized apartment stood a table. It was entirely covered by a large glass case. Under the case was a mattress. On the mattress lay a man. He had no pillows or bolster; no bedclothes with which to cover himself; and the fact that he was clad, so far as one could see, only in a suit of white linen pyjamas lent him, as one first caught sight of him on coming in, an appearance of peculiar uncanniness. One's first impression was that under the glass case was an effigy, not a man.
If it was a trick, it was certainly well done. He lay on his back, his legs stretched out, his arms gathered to his sides. In his attitude there was a starkness, a rigidity, which suggested death. It seemed incredible that a man could lie like that for twenty-eight days and be alive. This was borne in upon me so soon as I saw the peculiar position of his body. Then I saw his face.
It was Twickenham!
The shock was so overwhelming, that in a moment my whole physical organisation seemed at a standstill. I lost my balance. The whole place swam before me. I felt myself swaying to and fro. If I had not leaned against the glass case, I believe I should have fallen. In my whole life I had never before behaved so stupidly. A voice recalled me to myself.
'Take care there, sir! Do you want to break the glass?--or to knock the whole thing over?'
A person who seemed to have charge of the place addressed to me this, under the circumstances, not unnatural inquiry. I steadied myself as best I could. After a second or two I began to see things with something approaching to clearness. By degrees I got the man inside the case, as it were, in focus.
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The Twickenham Peerage by Richard Marsh (1857-1915) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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