The Romance of Golden Star ...
Folio
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The opening
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'Ah, what a thing it would be for us if his Inca Highness were really only asleep, as he looks to be! Just think what he could tell us--how easily he could re-create that lost wonderland of his for us, what riddles he could answer, what lies he could contradict. And then think of all the lost treasures that he could show us the way to. Upon my word, if Mephistopheles were to walk into this room just now, I think I should be tempted to make a bargain with him. Do you know, Djama, I believe I would give half the remainder of my own life, whatever that may be, to learn the secrets that were once locked up in that withered, desiccated brain of his.'
The speaker was one of two men who were standing in a large room, half-study, half-museum, in a big, old-fashioned house in Maida Vale. Wherever the science of archaeology was studied, Professor Martin Lamson was known as the highest living authority on the subject of the antiquities of South America. He had just returned from a year's relic-hunting in Peru and Bolivia, and was enjoying the luxury of unpacking his treasures with the almost boyish delight which, under such circumstances, comes only to the true enthusiast. His companion was a somewhat slenderly-built man, of medium height, whose clear, olive skin, straight, black hair, and deep blue-black eyes betrayed a not very remote Eastern origin.
Dr Laurens Djama was a physiologist, whose rapidly-acquired fame--he was barely thirty-two--would have been considered sounder by his professional brethren if it had not been, as they thought, impaired by excursions into by-ways of science which were believed to lead him perilously near to the borders of occultism. Five years before he had pulled the professor through a very bad attack of the calentura in Panama, where they met by the merest traveller's chance, and since then they had been fast friends.
They were standing over a long packing-case, some seven feet in length and two and a-half in breadth, in which lay, at full length, wrapped in grave-clothes that had once been gaily coloured, but which were now faded and grey with the grave-dust, the figure of a man with hands crossed over the breast, dead to all appearances, and yet so gruesomely lifelike that it seemed hard to believe that the broad, muscular chest over which the crossed hands lay was not actually heaving and falling with the breath of life.
The face had been uncovered. It was that of a man still in the early prime of life. The dull brown hair was long and thick, the features somewhat aquiline, and stamped even in death with an almost royal dignity. The skin was of a pale bronze, though darkened by the hues of death. Yet every detail of the face was so perfect and so life-like that, as the professor had said, it seemed to be rather the face of a man in a deep sleep than that of an Inca prince who must have been dead and buried for over three hundred years. The closed eyes, though somewhat sunken in their sockets, were the eyes of sleep rather than of death, and the lids seemed to lie so lightly over them that it looked as though one awakening touch would raise them.
'It is beyond all question the most perfect specimen of a mummy that I have seen,' said the doctor, stooping down and drawing his thin, nervous fingers very lightly over the dried skin of the right cheek. 'On my honour, I simply can't believe that His Highness, as you call him, ever really went to the other world by any of the orthodox routes. If you could imagine an absolute suspension of all the vital functions induced by the influence of something--some drug or hypnotic process unknown to modern science, brought into action on a human being in the very prime of his vital strength--then, so far as I can see, the results of that influence would be exactly what you see here.'
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The Romance of Golden Star ... by George Chetwynd Griffith (1857-1906) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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