
The Mysteries of Modern London
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The opening
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Unrecorded crimes--The mystery of the grave--The fascination of the unknown--The shady friends we make--The romance of the railway carriage--Who and what is your neighbour?--How I find my way about
|A MYSTERY is, in a popular sense, that which cannot be easily explained; a circumstance that cannot be readily accounted for. Something is, but how or why we cannot tell. The mysteries of modern London are as the sands of the seashore. The mighty city itself is a mystery. The lives of thousands of its inhabitants are mysteries. In the glare and clamour of the noonday, as in the darkness and silence of the night, the mysteries arise, sometimes to startle the world, sometimes to attract so little attention that the story of them never reaches the public ear.
There are mysteries blazoned forth with all the glamour that the contents-bill and the headline can give them, and there are mysteries that are jealously guarded by those high in authority, lest public curiosity should seek to fathom them.
There are mysteries in splendid mansions and in squalid garrets which contain all the elements of criminal romance, and yet pass with the police and the press as matter-of-fact incidents of London's daily life.
The great river hides more mysteries than ever the Seine gave up to the Paris Morgue, and many of them end with a little rest in a quiet mortuary, a "found drowned" hand-bill posted for a day or two on a police-station notice-board, an inquest, an open verdict, and a pauper's funeral.
But among the victims have been men and women the story of whose doing to death would have thrilled the masses and the classes alike; in some instances would have revealed the presence in our midst of active agents of the most desperate secret societies in the world.
There are no mysteries of modern London more terrible than its unrecorded ones. There are disappearances that are never chronicled; murders that are never discovered; victims of foul play who go certified to the grave as having succumbed to "natural causes."
If it were realized that scores of people whose death has been accomplished by the hand of the assassin are quietly buried in London cemeteries every year without the slightest suspicion of wrong, the public would be startled. But the fact remains. And its most convincing illustration is that in almost every case where a poisoner has been tried, the exhumation of former wives or relatives who have died in circumstances which the latest revelation makes suspicious, has proved that they were poisoned too.
Fire has its mysteries, which are rarely revealed. Arson is not entirely practised for the sake of the insurance-money. It happens sometimes that there is loss of life. A house has ere now been burnt to the ground to conceal a crime or to secure a death. The murderer makes good his own escape; the victim is found when at last the brave firemen are able to search among the smoking ruins.
The story of "Enoch Arden" is told again and again in our public journals, sometimes with all the pathetic romance that the Laureate wove into his poem, sometimes with the sordid details of threats and blackmail.
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The Mysteries of Modern London by George R. Sims (1847-1922) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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