The Annals of Ann

There are two kinds of people that keep diaries, married ones and single ones. The single ones fill theirs full of poetry; the married ones tell how much it costs to keep house.

Not being extra good in grammar and spelling, I thought I'd copy a few pages out of Cousin Eunice's diary this morning as a pattern to keep mine by, but I was disappointed. Nearly every page I turned to in hers was filled full of poetry, which stuff never did make good sense to me, besides the trouble it puts you to by having to start every line with a fresh capital.

Cousin Eunice says nearly all famous people keep a diary for folks to read after they're dead. I always did admire famous people, especially Lord Byron and Columbus. And I've often thought I should like to be a famous person myself when I get grown. I don't care so much about graduating in white mull, trimmed in lace, as some girls do, for the really famous never graduate. They get expelled from college for writing little books saying there ain't any devil. But I should love to be a beautiful opera singer, with a jasmine flower at my throat, and a fresh duke standing at the side door of the theater every night, begging me to marry him. Or I'd like to rescue a ship full of drowning people, then swim back to shore and calmly squeeze the salt water out of my bathing suit, so the papers would all be full of it the next morning.

Things don't turn out the way you expect them to, though, and I needn't count too much on these things. I might catch cold in my voice, or cramps in the sea and never get famous; but I'm going to keep this diary anyhow, and just hand it down to my grandchildren, for nearly every lady can count on them, whether she's famous or infamous.

Maybe some rainy day, a hundred years from now, a little girl will find this book in the attic, all covered with dust, and will sit down and read it, while the rain sounds soft and pattery on the outside, and her mother calls and calls without getting an answer. This is not at all the right way to do, but what can they expect of you when your attic is such a very delicious place? Ours is high enough not to bump your head, even if you are as tall as my friend, Rufe Clayborne, and where a part of the window-pane is broken out an apple-tree sends in a perky little branch. Just before Easter every year I spend nearly all my time up here at this window, for the apple blossoms seem to have so many things to say to me; lovely things, that I can feel, but can not hear, and if I could write them down this would be the most beautiful book in the world. And great sheets of rain come sometimes; you can see them coming from the hills back of Mr. Clayborne's house, but the apple blossoms don't mind the wetting.

When I wrote "Mr. Clayborne" just then it reminded me of Cousin Eunice's diary. That was one sensible word which was on every page. Sometimes it was mixed up close along with the poetry, but I always knew who she meant, for he is my best friend and the grandest young man I've ever seen out of a book. His other name is Rufe, and he's an editor when he's in the city. But before he got to be an editor he was born across the creek from our farm, and we've always been great friends. His father and mine are also friends, always quarreling about whose bird-dogs and hotbeds are the best; and our mothers talk a heap about "original sin" and chow-chow pickle.

Maybe my grandchildren would like to know a few little things about me at the time I started keeping this diary for their sakes, so I'll stop now and tell them as quickly as I can, for I never did think just my own self was so interesting. If they have any imagination they can tell pretty well what kind of a person I was anyhow from the grand portrait I'm going to have painted for them in the gown I wear when I'm presented at court.