Strange Stories from the Lodge of Leisures

The first European students who undertook to give the Western world an idea of Chinese literature were misled by the outward and profound respect affected by the Chinese towards their ancient classics. They have worked from generation to generation in order to translate more and more accurately the thirteen classics, Confucius, Mengtsz, and the others. They did not notice that, once out of school, the Chinese did not pay more attention to their classics than we do to ours: if you see a book in their hands, it will never be the "Great Study" or the "Analects," but much more likely a novel like the "History of the Three Kingdoms," or a selection of ghost-stories. These works that everybody, young or old, reads and reads again, have on the Chinese mind an influence much greater than the whole bulk of the classics. Notwithstanding their great importance for those who study Chinese thought, they have been completely left aside. In fact, the whole of real Chinese literature is still unknown to the Westerners.

It is a pity that it should be so. The novels and stories throw an extraordinary light on Chinese everyday life that foreigners have been very seldom, and now will never be, able to witness, and they illustrate in a striking way the idea the Chinese have formed of the other world. One is able at last to understand what is the meaning of the huen or superior soul, which leaves the body after death or during sleep, but keeps its outward appearance and ordinary clothes; the p'aï or inferior soul which remains in the decaying body, and sometimes is strong enough to prevent it from decaying, and to give it all the appearances of life. The magicians of the Tao religion, or Taoist priests, play a great part in these stories, and the Buddhist ideas of metempsychosis give the opportunity of more complicated situations than we dream of.

Among the most celebrated works, I have chosen the "Strange Stories from the Lodge of Leisures," Leao chai Chi yi. It was written in the second half of the eighteenth century by P'ou Song-lin (P'ou Lieou-hsien), of Tsy-cheou, in the Chantong province.

The whole work is composed of more than three hundred stories. I have selected twenty-five among the most characteristic.

This being a literary work, and having nothing scientific to boast of, I have tried to give my English readers the same literary impression that the Chinese has. Tradutore traditore, say the Italians; I hope I have not been too much of a traitor.