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Transcriber's note:
Text enclosed by underscores is in italics (italics).
Text enclosed by equal signs is in bold face (=bold=).
RICH MAN, POOR MAN
[Illustration: "'Not just a cousin, Bab! Not that--can't you see!'" PAGE 172]
RICH MAN, POOR MAN
by
MAXIMILIAN FOSTER
Author of "The Whistling Man," "Keeping Up Appearances," etc.
Illustrated by F. R. Gruger
D. Appleton and Company New York London 1916
Copyright, 1916, by D. Appleton and Company
Copyright, 1915, by the Curtis Publishing Company
Printed in the United States of America
CONTENTS
CHAPTER PAGE
I. 1
II. 11
III. 26
IV. 41
V. 49
VI. 59
VII. 72
VIII. 93
IX. 105
X. 113
XI. 122
XII. 139
XIII. 157
XIV. 164
XV. 176
XVI. 191
XVII. 207
XVIII. 215
XIX. 227
XX. 245
XXI. 257
XXII. 275
XXIII. 290
XXIV. 299
XXV. 310
XXVI. 319
LIST OF ILLUSTRATIONS
"'Not just a cousin, Bab! Not that--can't you see!'" Frontispiece
FACING PAGE
"'Do you know, I've never been at a dance!'" 18
"One thought stood out ... she had lost Varick." 220
"'It's you he wants and you he's going to have!'" 288
RICH MAN, POOR MAN
I
Promptly at six every week-day evening in the year Mr. Mapleson came down the stairs of the L road station on the corner and trudged up the side street toward his home. He lived at Mrs. Tilney's, the last house but one in the block; but though for more than sixteen years Mr. Mapleson had boarded there, none of the landlady's other patrons--or the landlady either, for that matter--knew much about their fellow-guest. Frankly he was a good deal of a puzzle. The others thought him queer in his ways besides. They were right perhaps.
He was a little man, round-shouldered, elderly and spare, with an air of alert, bustling energy quite birdlike in its abruptness. Uppish you might have judged him, and self-important too; yet in his tired eyes as well as in the droop of his small sensitive mouth there was something that belied the vanity of a pompous, confident man. Nor was his briskness so very convincing, once you had closely scanned him, for beneath it all was a secret, furtive nervousness that bordered at times on the panicky. He was, in short, shy--shy to a last degree; a self-conscious, timorous man that on every occasion shrank mistrustfully from the busy world about him. A castaway marooned on a desert island could scarcely have been more solitary, only in Mr. Mapleson's case, of course, the solitude was New York.
There are many such. No quarter of the city, indeed, is without its Mr. Maplesons. They are to be seen caged behind the grilles of every bank and counting-room; they infest, as well, the hivelike offices of the big insurance companies; soft-footed, faithful, meek, they burrow dustily among the musty, dusty back rooms and libraries of the law. Mere cogs in the machine, their reward is existence, nothing else. Then when the cog is broken, its usefulness at an end, it is cast carelessly on the scrapheap, while the machine goes grinding on. O tempore! O mores! Mr. Mapleson was a clerk in a Pine Street real-estate office. His salary was twenty-eight dollars a week, and his employers thought it high!
But enough! Tonight it was Christmas Eve; and as Mr. Mapleson descended from the L road station and trudged westward on his way, a smile as secret, as furtive as himself, quivered radiantly on his lips. Overhead, through a rift in the fleecy, racing clouds, a host of stars blazed down like the lights of an anchored argosy; and when he looked up and saw them there the little man's eyes blinked and twinkled back at them. Then a gust of the night's raw wind swooped along the street, and he had bent his head to it and was hurrying when a fleck of snow like a knife-point stung him on the cheek. "Hah!" cried Mr. Mapleson, his face beaming, "a white Christmas, eh?" And with a quick look upward, as if to assure himself, he critically examined the sky.
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Rich Man, Poor Man by Maximilian Foster (1872-1943) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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