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Nooks & Corners of Old Paris

Georges Cain

Folio

length

35,980 words

a few pages a day

~8 min

finished in

19 days

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2h 30m

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The opening

the first pages of Nooks & Corners of Old Paris, free

_Grandson and son of two rare and justly-renowned artists, P. J. Mène and Auguste Cain, my excellent friend, Georges Cain, has abundantly shown that he is the worthy inheritor of their talent. To-day, he wishes to prove that he knows how "to handle the pen as well as the pencil" as our Ancients used to say, and that the Carnavalet Museum has in him, not only the active and enthusiastic Curator that we constantly see at his task, but also the most enlightened guide possible in matters of Parisian lore; and so he has written this bewitching book which conjures up before me the Paris of my childhood and youth--the Paris of times gone by, which, in the course of centuries, has undergone many transformations, but not one so rapid and so complete as that which I have witnessed. The change, indeed, is such that, in certain quarters, I have difficulty in recognising, in the city of Napoleon III., that of Louis-Philippe. The latter would have been uninhabitable now, owing to the requirements of modern life, but it answered to the needs and customs of its time. People put up then with difficulties and defects that were judged unavoidable, no Capital being without them. And, in fact, in spite of its drawbacks and blemishes, the Paris of that period had its own charms._

[Illustration: THE PLACE DE LA BASTILLE, AND THE ELEPHANT Lithographed by Ph. Benoist]

_Most of its streets were very narrow and had no sidewalks. Pedestrians were obliged to take refuge, from passing carriages, on shop thresholds, under entrance gates, or else beside posts erected here and there for that purpose. Still, even in the densest traffic, one ran fewer risks walking along the road than one runs at present crossing the boulevards.... On these boulevards, where a single omnibus plied between the Madeleine and the Bastille every quarter of an hour, and where there was practically no danger of being knocked down by a horse, I have seen a crowd watching a fencing-bout on the spot to-day occupied by a refuge-pavement; and, on the Bastille Square, I used to play quietly, trundling my hoop round the Elephant and the July Pillar. There was little else to dread, throughout Paris, save splashes from the gutters, whose waters flowed in the middle of the streets ... when they flowed at all; for, during the hot summer days, there was nothing but stagnant household slops, which lay in the gutters until the next storm of rain. In winter, as the snow was never swept away, and the employment of salt for melting it was unknown, the thaws were something terrible! Every corner--and the houses being hardly ever in line, there were many--was used as a rubbish-heap, or for the committing of nuisances excusable only through lack of modern conveniences. Moreover, the streets, by very reason of their narrowness, were more noisy than ours. The rolling of heavy waggons over big, round paving-stones badly set, with jolts that shook both windows and houses; the constant cries of men and women selling fruit, vegetables, fish and flowers, &c. ... and pushing their handcarts, not to speak of dealers in clothes, umbrellas, and hand-brushes, of glaziers and of chimney-sweeps; the din of watermen blowing into their taps; the calls of water-bearers as they loudly clinked their bucket-handles; the clarionets and tambourines of strolling singers that went from one courtyard to another; all this composed the gaiety of the street. What was less tolerable was the incessant noise of barrel-organs beneath your windows from morning till evenings and inflicting on you a torture that it makes me angry to think of even now._

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Nooks & Corners of Old Paris by Georges Cain (1856-1919) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.

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