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The opening

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“Oh yes!” said Lisbeth. “And, of course, a little music, and then a little supper, and a little dancing, and all that sort of thing.” And she frowned impatiently.

Mrs. Despard looked at her in some displeasure.

“You are in one of your humors, again, Lisbeth,” she said, sharply.

“Why shouldn’t I be?” answered Miss Crespigny, not a whit awed by her patroness. “People’s humors are their privileges. I would not help mine if I could. I like them because they are my own private property, and no one else can claim them.”

“I should hardly think any one would want to claim yours,” said Mrs. Despard, dryly, but at the same time regarding the girl with a sort of curiosity.

Lisbeth Crespigny shrugged her shoulders--those expressive shoulders of hers. A “peculiar girl,” even the mildest of people called her, and as to her enemies, what did they not say of her? And her enemies were not in the minority. But “peculiar” was not an unnatural term to apply to her. She was “peculiar.” Seeing her kneeling close before the fender this winter evening, one’s first thought would have been that she stood apart from other girls. Her very type was her own, and no one had ever been heard to say of any other woman, “she is like Lisbeth Crespigny.” She was rather small of figure, she had magnificent hair; her black brows and lashes were a wonder of beauty; her eyes were dark, mysterious, supercilious. She often frightened people. She frightened modest people with her nerve and coolness, bold people with her savage sarcasms, quiet people with her moods. She had alarmed Mrs. Despard, occasionally, when she had first come to live with her; but after three years, Mrs. Despard, who was strong of nerve herself, had become used to her caprices, though she had not got over being curious and interested in spite of herself.

She was a widow, this Mrs. Despard. She had been an ambitious nobody in her youth, and having had the luck to marry a reasonably rich man, her ambition had increased with her good fortune. She was keen, like Lisbeth, quick-witted and restless. She had no children, no cares, and thus having no particular object in life, formed one for herself in making herself pleasingly conspicuous in society.

It was her whim to be conspicuous; not in a vulgar way, however; she was far too clever for that. She wished to have a little social court of her own, and to reign supreme in it. It was not rich people she wanted at her entertainments, nor powerful people; it was talented people--people, shall it be said, who would admire her æsthetic soirées, and talk about her a little afterward, and feel the distinction of being invited to her house. And it was because Lisbeth Crespigny was “peculiar” that she had picked her up.

During a summer visit to a quaint, picturesque, village on the Welsh coast, she had made the acquaintance of the owners of a cottage, whose picturesqueness had taken her fancy. Three elderly maiden ladies were the Misses Tregarthyn, and Lisbeth was their niece, and the apple of each gentle spinster’s eye. “Poor, dear Philip’s daughter,” and poor, dear Philip, who had been their half-brother, and the idol of their house, had gone abroad, and “seen the world,” and, after marrying a French girl, who died young, had died himself, and left Lisbeth to them as a legacy. And then they had transferred their adoration and allegiance to Lisbeth, and Lisbeth, as her manner was, had accepted it as her right, and taken it rather coolly. Mrs. Despard had found her, at seventeen years old, a restless, lawless, ambitious young woman, a young woman when any other girl would have been almost a child. She found her shrewd, well-read, daring, and indifferent to audacity; tired of the picturesque little village, secretly a trifle tired of being idolized by the three spinsters, inwardly longing for the chance to try her mettle in the great world. Then, too, she had another reason for wanting to escape from the tame old life. In the dearth of excitement, she had been guilty of the weakness of drifting into what she now called an “absurd” flirtation, which had actually ended in an equally absurd engagement, and of which she now, not absurdly, as she thought, was tired.

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About this free edition

Miss Crespigny by Frances Hodgson Burnett (1849-1924) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.

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