Mary Louise

You will like Mary Louise because she is so much like yourself. Mrs. Van Dyne has succeeded in finding a very human girl for her heroine; Mary Louise is really not a fiction character at all. Perhaps you know the author through her "Aunt Jane's Nieces" stories; then you don't need to be told that you will want to read all the volumes that will be written about lovable Mary Louise. Mrs. Van Dyne is recognized as one of the most interesting writers for girls to-day. Her success is largely due to the fact that she does not write DOWN to her young readers; she realizes that the girl of to-day does not have to be babied, and that her quick mind is able to appreciate stories that are as well planned and cleverly told as adult fiction.

That is the theory behind "The Bluebird Books." If you are the girl who likes books of individuality--wholesome without being tiresome, and full of action without being sensational--then you are just the girl for whom the series is being written. "Mary Louise" is more than a worthy successor to the "Aunt Jane's Nieces Series"--it has merit which you will quickly recognize.

THE PUBLISHERS.

CONTENTS

I JUST AN ARGUMENT

II GRAN'PA JIM

III A SURPRISE

IV SHIFTING SANDS

V OFFICIAL INVESTIGATION

VI UNDER A CLOUD

VII THE ESCAPE

VIII A FRIENDLY FOE

IX OFFICER O'GORMAN

X RATHER QUEER INDEED

XI MARY LOUISE MEETS IRENE

XII A CHEERFUL COMRADE

XIII BUB SUCCUMBS TO FORCE

XIV A CALL FROM AGATHA LORD

XV BUB'S HOBBY

XVI THE STOLEN BOOK

XVII THE HIRED GIRL

XVIII MARY LOUISE GROWS SUSPICIOUS

XIX AN ARTFUL CONFESSION

XX DIAMOND CUT DIAMOND

XXI BAD NEWS

XXII THE FOLKS AT BIGBEE'S

XXIII A KISS FROM JOSIE

XXIV FACING THE TRUTH

XXV SIMPLE JUSTICE

XXVI THE LETTER

CHAPTER I

JUST AN ARGUMENT

"It's positively cruel!" pouted Jennie Allen, one of a group of girls occupying a garden bench in the ample grounds of Miss Stearne's School for Girls, at Beverly.

"It's worse than that; it's insulting," declared Mable Westervelt, her big dark eyes flashing indignantly.

"Doesn't it seem to reflect on our characters?" timidly asked Dorothy Knerr.

"Indeed it does!" asserted Sue Finley. "But here comes Mary Louise; let's ask her opinion."

"Phoo! Mary Louise is only a day scholar," said Jennie. "The restriction doesn't apply to her at all."

"I'd like to hear what she says, anyhow," remarked Dorothy. "Mary Louise has a way of untangling things, you know."

"She's rather too officious to suit me," Mable Westervelt retorted, "and she's younger than any of us. One would think, the way she poses as monitor at this second-rate, run-down boarding school, that Mary Louise Burrows made the world."

"Oh, Mable! I've never known her to pose at all," said Sue. "But, hush; she mustn't overhear us and, besides, if we want her to intercede with Miss Stearne we must not offend her."

The girl they were discussing came leisurely down a path, her books under one arm, the other hand holding a class paper which she examined in a cursory way as she walked. She wore a dark skirt and a simple shirtwaist, both quite modish and becoming, and her shoes were the admiration and envy of half the girls at the school. Dorothy Knerr used to say that "Mary Louise's clothes always looked as if they grew on her," but that may have been partially accounted for by the grace of her slim form and her unconscious but distinctive poise of bearing. Few people would describe Mary Louise Burrows as beautiful, while all would agree that she possessed charming manners. And she was fifteen--an age when many girls are both awkward and shy.