
Futuria Fantasia, Winter 1940
free to read
length
9,680 words
a few pages a day
~8 min
finished in
6 days
full read
40 min
At Folio's default of ten pages a day, you finish Futuria Fantasia, Winter 1940 in about 6 days — roughly 8 minutes of reading each morning.
The opening
the first pages of Futuria Fantasia, Winter 1940, free
LAST ISSUE: We made a mistake that we will try not to repeat again very soon. We printed the editorial page three weeks ahead of the remainder of Futuria Fantasia, thereby creating no end of humorous confusion. We babbled glibly, in the editorial, about two or three yarns that we later decided were unprintable, and, at the same time, threw in some horrible mistakes in grammar that must have left Shakespeare doing nip-ups in his shroud.
[Illustration]
THIS ISSUE; J. Harvey Haggard bows into what we hope will be a regular spotlight in Futuria Fantasia.... Emil Petaja, whose verses have appeared in Weird Tales, makes his self known with a neat little weird yarn and a poem.... Again H.V.B. comes to the fore with a sequel to THE GALAPURRED FORSENDYKE--THE VOICE OF SCARILIOP ... and, in case you have wondered about or will wonder about these two unusual yarns, we are printing them for no other reason than that we like their description, they tickle our mental palate, they are word pictures of surrealistic dreams ... and anyone who guesses who H.V.B is will get the next edition of Futuria Fantasia gratis.... Henry Hasse blows in and blows up with a rebuttle against Foo E. Onya and does himself right proud by science-fiction.... Ross Rocklynne, prominent Eastern schlameel, offers us a pitiful excuse for an article, HOW TO GET ABOUT.... Ron Reynolds, we have no doubt, will manage to get into the magazine somehow with his horrendous FIGHT OF THE GOOD SHIP CLARISSA, but if we can do anything at all we'll print it on invisible paper.... Anthony Corvais, if you start guessing who did it, wrote the short story in the rear by the title of THE SYMPHONIC ABDUCTION.... Hannes Bok, who has another cover on Weird Tales for March, has drawn our cover again and many inside illustrations, including a large advertisement for Hell, under which you will find a descriptive poem written by Guy Amory. Unlike Finlay, who draws pictures from poems, we procure pictures from Bok and write poems about them. In fact, I blushingly admit, I even wrote a ten thousand word novelette around that little creature on the cover of the first Futuria Fantasia ... which, no doubt, will have its share of rejections very soon, in which case I will foist on my poor unsuspecting public, both of them, this story now titled LORELEI. I would have included it in this issue, but Russell J. Hodgkins threatened me so venemously that I gave in told him to put down his gun. It might be a good idea, by the way, if more of you readers wrote us letters criticizing FuFa. So far we have heard nothing from Madle, Baltadonis, E.E. Smith, Kuslan, Marconette, Taurasi, Dikty, Wilson, or Speer. How in hell, we ask you guys, can we improve if you won't write in and tell us if and why we stink? Co-operation, please....
* * * * *
NEXT ISSUE: Robert A Heinlein, of the LA SFL, whose noval is now current in Astounding, will begin the first of a series of short stories written on order for Futuria Fantasia. Ross Rocklynne, also, takes an encore with a thot-provoking, accent on provoking, story or article. Henry Hasse will be here in company with Ross Hodgkins. Hodgkins possibly writing on Technocracy. And, if schedules go through, an article to end all articles, by Charlie Hornig, fresh and sassay from New Yawk. Other possible bets are Fred Shroyer, Guy Amory, Anthony Corvais, Emil Petaja, Willy Ley, Doug Rogers, August Derleth, Ackerman and T. Bruce Yerke. Send your dime for the Spring Edition now--or a quarter for the Spring, Summer and Fall issues. Introduce FuFa to your friends and help us grow.
THE VOICE OF SCARILIOP
H. V. B.
Four pillars, arising out of the stone like strange growing things of demoniac shape--these Redforth saw and comprehended, knowing full well that Tarath had always abounded in monstrosities. "But what," he asked himself, "will knowing of such as this, be of use to me, as I search for Ghiltharmie?" For he had at last come to realise, to admit even to himself, that he was a lost thing. The Yulphog had taken his soul. They had exiled him to this lost land of dread. But they'd hinted of escape, if he could find it. "Si Yamlon," he had told him, pointing to a writhing belt of suns, lifting and lowering at the horizon like the yellow crest of a flaming wave. And he had nodded his head. They had vanished, disintegrating, it seemed. He didn't then know that they were related to Topper's friends and the jeep in one thing: that their Typonisif and Tregoifer was applicable to the atmosphere.
Keep going from exactly here — Folio remembers your place and serves the next portion tomorrow.
continue reading Futuria Fantasia, Winter 1940About this free edition
Futuria Fantasia, Winter 1940 by Ray Bradbury (1920-2012) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.







