Cuba in War Time
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These illustrations were made by Mr. Frederic Remington, from personal observation while in Cuba, and from photographs, and descriptions furnished by eye-witnesses, and are here reproduced through the courtesy of Mr. W. R. Hearst.
AUTHOR'S NOTE
After my return from Cuba many people asked me questions concerning the situation there, and I noticed that they generally asked the same questions. This book has been published with the idea of answering those questions as fully as is possible for me to do after a journey through the island, during which I traveled in four of the six provinces, visiting towns, seaports, plantations and military camps, and stopping for several days in all of the chief cities of Cuba, with the exception of Santiago and Pinar del Rio.
Part of this book was published originally in the form of letters from Cuba to the New York Journal and in the newspapers of a syndicate arranged by the Journal; the remainder, which was suggested by the questions asked on my return, was written in this country, and appears here for the first time.
RICHARD HARDING DAVIS.
Cuba In War Time
When the revolution broke out in Cuba two years ago, the Spaniards at once began to build tiny forts, and continued to add to these and improve those already built, until now the whole island, which is eight hundred miles long and averages eighty miles in width, is studded as thickly with these little forts as is the sole of a brogan with iron nails. It is necessary to keep the fact of the existence of these forts in mind in order to understand the situation in Cuba at the present time, as they illustrate the Spanish plan of campaign, and explain why the war has dragged on for so long, and why it may continue indefinitely.
The last revolution was organized by the aristocrats; the present one is a revolution of the puebleo, and, while the principal Cuban families are again among the leaders, with them now are the representatives of the "plain people," and the cause is now a common cause in working for the success of which all classes of Cubans are desperately in earnest.
The outbreak of this revolution was hastened by an offer from Spain to make certain reforms in the internal government of the island. The old revolutionary leaders, fearing that the promise of these reforms might satisfy the Cubans, and that they would cease to hope for complete independence, started the revolt, and asked all loyal Cubans not to accept the so-called reforms when, by fighting, they might obtain their freedom. Another cause which precipitated the revolution was the financial depression which existed all over the island in 1894, and the closing of the sugar mills in consequence. Owing to the lack of money with which to pay the laborers, the grinding of the sugar cane ceased, and the men were turned off by the hundreds, and, for want of something better to do, joined the insurgents. Some planters believe that had Spain loaned them sufficient money with which to continue grinding, the men would have remained on the centrals, as the machine shops and residence of a sugar plantation are called, and that so few would have gone into the field against Spain that the insurrection could have been put down before it had gained headway. An advance to the sugar planters of five millions of dollars then, so they say, would have saved Spain the outlay of many hundreds of millions spent later in supporting an army in the field. That may or may not be true, and it is not important now, for Spain did not attack the insurgents in that way, but began hastily to build forts. These forts now stretch all over the island, some in straight lines, some in circles, and some zig-zagging from hill-top to hill-top, some within a quarter of a mile of the next, and others so near that the sentries can toss a cartridge from one to the other.
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Cuba in War Time by Richard Harding Davis (1864-1916) is free to read in full. Folio serves it in daily portions you can actually finish, tracks your streak and reading position across devices, and reads every page aloud with a built-in narrator. The text comes from Project Gutenberg.
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