Black Magic

The chamber looked on to the quadrangle round which the house was built; and the sun, just overhead, blazed on the vine leaves clinging to the brick and sent a reflected glow into the sombre spaces of the room.

The devil, rudely cut out of wood, rested by his three tails and his curled-back horns against the wall, and the man sat before him on a low stool.

On the table in front of the open window stood a row of knights in fantastic armour, roughly modelled in clay; beside them was a pile of vellum sheets covered with drawings in brown and green.

By the door a figure of St. Michael leant against a chair, and round his feet were painted glasses of every colour and form.

On the white-washed wall hung a winged picture representing a martyrdom; its vivid hues were the most brilliant thing in the room.

The man was dressed in brown; he had a long dark face and straight dull hair; from the roll of gold leaf on his knee he carefully and slowly gilded the devil.

The place was utterly silent, the perfect stillness enhanced by the dazzle of the blinding sun without; presently the man rose and, crossing to the window, looked out.

He could see the sparse plants bordering the neglected grass-grown paths, the house opposite with its double row of empty windows and the yellowing vine-leaves climbing up the tiled roof that cut the polished blue of the August sky.

In between these windows, that were all closed and glittering in their golden squares, busts of old and weary philosophers were set; they peered out blindly into the unfathomable sunshine, and the dry tendrils of the vine curled across their leanness.

In the centre square of grass was an ancient and broken fountain; some tall white daisies grew there, and the pure gold of their hearts was as bright as the gilding on the devil within.

The silence and the blaze of the sun were one and indescribable.

The man at the window rested his elbows on the sill; it was so hot that he felt it burning through his sleeve; he had the air of one habitually alone, the unquestioning calm that comes of long silences; he was young and, in a quiet fashion, well-looking, wide in the brows and long in the jaw, with a smooth pale skin and cloudy dark eyes, his hair hung very straightly, his throat was full and beautiful.

In expression he was reserved and sombre; his lips, well shaped but pale, were resolutely set, and there was a fine curve of strength to his prominent chin.

After a time of expressionless gazing at the sun-filled garden, he turned back into the room, and stood in the centre of the floor, with his teeth set in his forefinger looking ponderingly at the half-gilded devil.

Then he took a bunch of beautifully wrought keys from his belt, and swinging them softly in his hand left the chamber.

The house was built without corridors or passages, each room opened into another and the upper ones were reached by short dark stairways against the walls; there were many apartments, each of a lordly design with the windows in the side facing the quadrangle.

As the man moved lightly from one chamber to the next his footfall displaced dust and his gaze fell on cobwebs and the new nets of spiders, that hung in some places across the very doorways.

Many curious and gorgeous objects were in those deserted rooms; carved presses full of tarnished silver, paintings of holy subjects, furniture covered with rich-hued tapestry, other pieces of arras on the walls, and in one chamber purple silk hangings worked with ladies’ hair in shades of brown and gold.