Artillery Through the Ages

Many of the types of cannon described in this booklet may be seen in areas of the National Park System throughout the country. Some parks with especially fine collections are:

CASTILLO DE SAN MARCOS NATIONAL MONUMENT, seventeenth and eighteenth century field and garrison guns.

CHICKAMAUGA AND CHATTANOOGA NATIONAL MILITARY PARK, Civil War field and siege guns.

COLONIAL NATIONAL HISTORICAL PARK, seventeenth and eighteenth century field and siege guns, eighteenth century naval guns.

FORT MCHENRY NATIONAL MONUMENT AND HISTORIC SHRINE, early nineteenth century field guns and Civil War garrison guns.

FORT PULASKI NATIONAL MONUMENT, Civil War garrison guns.

GETTYSBURG NATIONAL MILITARY PARK, Civil War field guns.

PETERSBURG NATIONAL MILITARY PARK, Civil War field and siege guns.

SHILOH NATIONAL MILITARY PARK, Civil War field guns.

VICKSBURG NATIONAL MILITARY PARK, Civil War field and siege guns.

The National Park System is dedicated to conserving the scenic, scientific, and historic heritage of the United States for the benefit and enjoyment of its people.

CONTENTS

THE ERA OF ARTILLERY The Ancient Engines of War Gunpowder Comes to Europe The Bombards Sixteenth Century Cannon The Seventeenth Century and Gustavus Adolphus The Eighteenth Century United States Guns of the Early 1800's Rifling The War Between the States The Change into Modern Artillery

GUNPOWDER Primers Modern Use of Black Powder

THE CHARACTERISTICS OF CANNON The Early Smoothbore Cannon Smoothbores of the Later Period Garrison and Ship Guns Siege Cannon Field Cannon Howitzers Mortars Petards

PROJECTILES Solid Shot Explosive Shells Fuzes Scatter Projectiles Incendiaries and Chemical Projectiles Fixed Ammunition Rockets

TOOLS

THE PRACTICE OF GUNNERY

GLOSSARY

SELECTED BIBLIOGRAPHY

[Illustration: "PIERRIERS VULGARLY CALLED PATTEREROS," from Francis Grose, Military Antiquities, 1796.]

THE ERA OF ARTILLERY

_Looking at an old-time cannon, most people are sure of just one thing: the shot came out of the front end. For that reason these pages are written; people are curious about the fascinating weapon that so prodigiously and powerfully lengthened the warrior's arm. And theirs is a justifiable curiosity, because the gunner and his "art" played a significant role in our history._

THE ANCIENT ENGINES OF WAR

To compare a Roman catapult with a modern trench mortar seems absurd. Yet the only basic difference is the kind of energy that sends the projectile on its way.

In the dawn of history, war engines were performing the function of artillery (which may be loosely defined as a means of hurling missiles too heavy to be thrown by hand), and with these crude weapons the basic principles of artillery were laid down. The Scriptures record the use of ingenious machines on the walls of Jerusalem eight centuries B.C.--machines that were probably predecessors of the catapult and ballista, getting power from twisted ropes made of hair, hide or sinew. The ballista had horizontal arms like a bow. The arms were set in rope; a cord, fastened to the arms like a bowstring, fired arrows, darts, and stones. Like a modern field gun, the ballista shot low and directly toward the enemy.

The catapult was the howitzer, or mortar, of its day and could throw a hundred-pound stone 600 yards in a high arc to strike the enemy behind his wall or batter down his defenses. "In the middle of the ropes a wooden arm rises like a chariot pole," wrote the historian Marcellinus. "At the top of the arm hangs a sling. When battle is commenced, a round stone is set in the sling. Four soldiers on each side of the engine wind the arm down until it is almost level with the ground. When the arm is set free, it springs up and hurls the stone forth from its sling." In early times the weapon was called a "scorpion," for like this dreaded insect it bore its "sting" erect.